Six Picks... You Must Read

  • THE BOOK THIEF by Marcus Zusak

    Starred Review. Zusak has created a work that deserves the attention of sophisticated teen and adult readers. Death himself narrates the World War II-era story of Liesel Meminger from the time she is taken, at age nine, to live in Molching, Germany, with a foster family in a working-class neighborhood of tough kids, acid-tongued mothers, and loving fathers who earn their living by the work of their hands. The child arrives having just stolen her first book–although she has not yet learned how to read–and her foster father uses it, The Gravediggers Handbook, to lull her to sleep when she's roused by regular nightmares about her younger brother's death. Across the ensuing years of the late 1930's and into the 1940's, Liesel collects more stolen books as well as a peculiar set of friends: the boy Rudy, the Jewish refugee Max, the mayor's reclusive wife (who has a whole library from which she allows Liesel to steal), and especially her foster parents. Zusak not only creates a mesmerizing and original story but also writes with poetic syntax, causing readers to deliberate over phrases and lines, even as the action impels them forward. Death is not a sentimental storyteller, but he does attend to an array of satisfying details, giving Liesel's story all the nuances of chance, folly, and fulfilled expectation that it deserves. An extraordinary narrative.–Francisca Goldsmith, Berkeley Public Library, CA From School Library Journal
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  • OLD FILTH by Jane Gardam

    This mordantly funny novel examines the life of Sir Edward Feathers, a desiccated barrister known to colleagues and friends as Old Filth (the nickname stands for "Failed in London Try Hong Kong"). After a lucrative career in Asia, Filth settles into retirement in Dorset. With anatomical precision, Gardam reveals that, contrary to appearances, Sir Edward's life is seething with incident: a "raj orphan," whose mother died when he was born and whose father took no notice of him, he was shipped from Malaysia to Wales (cheaper than England) and entrusted to a foster mother who was cruel to him. What happened in the years before he settled into school, and was casually adopted by his best friend's kindly English country family, haunts, corrodes, and quickens Filth's heart; Gardam's prose is so economical that no moment she describes is either gratuitous or wasted. Copyright © 2006 The New Yorker
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  • THE ALL OF IT by Jeannette Haien

    Soaked by a miserable rain, Father Declan de Lowry swats midges and unsuccessfully casts for salmon while mulling the deathbed confession of a parishioner from the tiny Irish village of Roonatellin. The good priest is frantic to know why Kevin Dennehy refused to the end to marry Enda, who lived as his wife for decades with none suspecting their sin. When pressed, Kevin would only say, "there's some explanations that get you nowhere." That leaves it to Enda, an Irish Scheherazade, to breathlessly tell Father "the all of it," a wild, eyebrow-raising tale that meanders like sheep on the narrow roads. Her enthusiasm and Jeannette Haien's musical, evocative phrasing sweep this winning, humorous novel along.
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  • MIDDLESEX by Jeffrey Eugenides

    The odd but utterly believable story of Cal Stephanides, and how this 41-year-old hermaphrodite was raised as Calliope, is at the tender heart of this long-awaited second novel from Jeffrey Eugenides. Eugenides weaves together a kaleidoscopic narrative spanning 80 years of a stained family history, from a fateful incestuous union in a small town in early 1920s Asia Minor to Prohibition-era Detroit; from the early days of Ford Motors to the heated 1967 race riots; from the tony suburbs of Grosse Pointe and a confusing, aching adolescent love story to modern-day Berlin. Eugenides's command of the narrative is astonishing. He balances Cal/Callie's shifting voices convincingly, spinning this strange and often unsettling story with intelligence, insight, and generous amounts of humor.
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  • FORGETFULNESS by Ward Just

    Just has long observed the fault lines in human nature and a person's moral code. In his 15th novel (after the 2005 Pulitzer finalist, An Unfinished Season), Just, using an unlikely hero, sets his journalist's eye on the ethically fraught war on terror. Thomas Railles is a 65-year-old American expatriate portrait painter of moderate fame who lives with his French wife, Florette, in a Pyrenees village. When Florette goes for a solitary walk in the mountains and is killed by Moroccan terrorists, Railles blames himself for her death: two of his childhood friends now work in intelligence, and he has pulled several "odd jobs" for them over the years, including one that may have inspired this belated "payback." When he eventually faces one of Florette's killers, Railles must decide whether to avenge her death or find a different peace of mind. "Forgetfulness is the old man's friend," he muses, but he is aware of the irony. The ethical questions of Just's tale add moral heft to an emotionally charged narrative
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  • THE RELUCTANT FUNDAMENTALIST by Mohsin Hamid

    From Publishers Weekly: Hamid's second book (after Moth Smoke) is an intelligent and absorbing 9/11 novel, written from the perspective of Changez, a young Pakistani whose sympathies, despite his fervid immigrant embrace of America, lie with the attackers. The book unfolds as a monologue that Changez delivers to a mysterious American operative over dinner at a Lahore, Pakistan, cafe. Pre-9/11, Princeton graduate Changez is on top of the world: recruited by an elite New York financial company, the 22-year-old quickly earns accolades from his hard-charging supervisor, plunges into Manhattan's hip social whirl and becomes infatuated with Erica, a fellow Princeton graduate pining for her dead boyfriend. But after the towers fall, Changez is subject to intensified scrutiny and physical threats, and his co-workers become markedly less affable as his beard grows in ("a form of protest," he says). Erica is committed to a mental institution, and Changez, upset by his adopted country's "growing and self-righteous rage," slacks off at work and is fired. Despite his off-putting commentary, the damaged Changez comes off as honest and thoughtful, and his creator handles him with a sympathetic grace.
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