Heidi Durrow
publisher
Algonquin Books
format
Hardcover
pages
256
Frank Delaney
The Flight of Gemma Hardy
Margot Livesey
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Ayad Akhtar
Time and Again
Jack Finney
The Bellwether Prize, founded by Barbara Kingsolver to recognize fiction that addresses issues of social injustice, has just been awarded to Heidi W. Durrow's powerful debut novel, THE GIRL WHO FELL FROM THE SKY. Inspired by a real event, this novel tells the story of Rachel, the daughter of a Danish mother and a black GI, who becomes the sole survivor of a family tragedy after a fateful morning on their Chicago rooftop. With her strict African-American grandmother as her new guardian, Rachel moves to a mostly black community where she has to learn to swallow her overwhelming grief and confront her identity as a biracial young woman in a world that wants to see her as black or white. This is a moving portrait of a young girl and society's ideas of race, class, and beauty.
About the AuthorHeidi W. Durrow is a graduate of Stanford, Columbia's Graduate School of Journalism and Yale Law School. She is the recipient of a Fellowship in Fiction from the New York Foundation for the Arts, a Jerome Foundation Fellowship for Emerging Writers, a Jentel Foundation Residency, and won top honors in the Lorian Hemingway Short Story Competition and the Chapter One Fiction Contest. She has received grants from the Elizabeth George Foundation, the American Scandinavian Foundation, the Roth Endowment and the American Antiquarian Society.
Originally from Portland, Oregon, Heidi has worked as a corporate litigator at Cravath, Swaine & Moore, and as a consultant to the National Football League and National Basketball Association. She is the co-host of the award-winning weekly podcast Mixed Chicks Chat; and the co-founder and co-producer of the Mixed Roots Film & Literary Festival, an annual free public event, that celebrates stories of the Mixed experience.
Durrow's writing has appeared in Alaska Quarterly Review, The Literary Review, Smokelong Quarterly, Callaloo, Poem/Memoir/Story, the Yale Journal of Law and Feminism, Essence magazine, and Newsday. She received writer Barbara Kingsolver's 2008 Bellwether Prize for Literature of Social Change for The Girl Who Fell From the Sky, her first novel.
Beyond the book
Amazon.com Review
Amazon Best Books of the Month, February 2010: Early on in The Girl Who Fell from the Sky, Rachel Morse (the girl in question) wonders about being "tender-headed." It's how her grandmother chides her for wincing at having her hair brushed, but it's also a way of understanding how Rachel grapples with the world in which she landed. Her parents, a Danish woman and an African-American G.I., tried to hold her and her siblings aloft from questions of race, and their failure there is both tragic and tenderly wrought. After sustaining an unimaginable trauma, Rachel resumes her life as a black girl, an identity she quickly learns to adopt but at heart is always reconciling with the life she knew before. Heidi W. Durrow bolsters her story with a chorus of voices that often see what Rachel can't--this is particularly true in the case of Brick, the only witness to her fall. There's a poetry to these characters that draws you into their lives, making for a beautiful and earnest coming-of-age novel that speaks as eloquently to teens as it does to adults. --Anne Bartholomew
From Publishers Weekly
Durrow's debut draws from her own upbringing as the brown-skinned, blue-eyed daughter of a Danish woman and a black G.I. to create Rachel Morse, a young girl with an identical heritage growing up in the early 1980s. After a devastating family tragedy in Chicago with Rachel the only survivor, she goes to live with the paternal grandmother she's never met, in a decidedly black neighborhood in Portland, Ore. Suddenly, at 11, Rachel is in a world that demands her to be either white or black. As she struggles with her grief and the haunting, yet-to-be-revealed truth of the tragedy, her appearance and intelligence place her under constant scrutiny. Laronne, Rachel's deceased mother's employer, and Brick, a young boy who witnessed the tragedy and because of his personal misfortunes is drawn into Rachel's world, help piece together the puzzle of Rachel's family. Taut prose, a controversial conclusion and the thoughtful reflection on racism and racial identity resonate without treading into political or even overtly specific agenda waters, as the story succeeds as both a modern coming-of-age and relevant social commentary. (Feb.)